Some new photos

Yesterday I had a complete series of photos taken by a good friend of mine, a great photographer and graphics artist, Michel Winckler-Krog. The weather was excellent so we spend the afternoon in Copenhagen with Michel making some crazy shoots, including some of me standing in the middle of Knippelsbro (Knippels Bridge) during rush hour! 馃榾

Later we returned to Michel’s studio and took some portraits. It’s been almost seven years since I have had any “real” portraits taken, so I guess it was about time…

Four of the photos taken yesterday can be viewed and downloaded in high resolution on the Photos page on A lot more pictures were taken and Michel is doing some work on a couple of them. I don’t want to reveal anything but I can tell you that you are in for a surprise 馃槈

Thinking About Buying A Digital Studio/Tour Organ

I have just returned from a visit to the island of Fyn where I have tried out a so called “electro-acoustic” organ. An advanced and unique digital organ build by Flemming Fald of Scandinavian Organ Center using the state of the art electronics. I wrote a post about the organ a while ago. I created the disposition and partly also the exterior design characteristics. But it was too expensive for me to buy back then, so it was instead bought by a virtuoso organist and organ professor at the conservatory. He’s owned it for some years but is now ready to “upgrade” to an even bigger organ and thus looking to sell the “old” organ. How can I resist? It’s “my” organ 馃檪

The disposition:

Grand Orgue

Bourdon 16′
Montre 8′
Fl没te harmonique 8′
Salicional 8′
Bourdon 8′
prestant 4′
Fl没te octaviante 4′
Doublette 2′
Cornet V 8′
Fourniture IV 1 1/3′
Trompette 8′
Clairon 4′

R脙漏cit expressif

Fl没te traversi猫re 8′
Viole de gambe 8′
Voix C茅leste 8′
Cor de nuit 8′
Quintaton 8′
Fl没te douce 4′
Plein Jeu III 2′
Bombarde 16′
Trompette harmonique 8′
Basson-Hautbois 8′
Voix Humaine 8′
Clairon harmonique 4′


Contre-Bourdon 32′
Fl没te 16′
Contrebasse 16′
Fl没te 8′
Fl没te 4′
Contre-Bombarde 32′
Bombarde 16′
Trompette 8′

The organ has been envisioned with a double function; part home/studio organ, part tour/concert organ capable of playing together with various ensembles, including symphony orchestra, with proper amplification of course. This is the reason for the rich and powerful reed batteries, and not least the two 32-feet voices! (well, that and I’m just a sucker for romantic-symphonic organs).

One thing is the disposition, but more importantly: how does it sound? Well, I only heard it through the build-in speakers (useful for “home-use”), but with that in mind I must say it sounds really well. Whenever possible I still prefer a “real” pipe organ, and I probably always will. But for home and tour-use outside churches and large concert halls with organs, where a pipe organ would be almost impossible (at least impossibly expensive) this is as good as it gets. And that’s actually not bad.

I will need to think about this for a couple of days before I decide whether I buy it or not. One of the important things to consider is economy. I have to take the organ out and play public concerts on it, or rent it out to others, at least a couple of times a year in order to be able to afford it. Even though I get to buy the instrument at a significantly reduced price compared to when it was new, it’s still very expensive to me. So, will it be possible for me to take the organ on tour (or maybe just a few individual concerts outside churches)? I’ll have to consider that as well.

I’ll let you know what I decide soon…